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Jigsaw / Sybille Bedford. - [miejsce nieznane] : Eland Publishing : Legimi, 2012.
Forma i typ
This intensely remembered, partly autobiographical novel, which was shortlisted for the Booker Prize in 1989, describes the childhood of Billi, a girl growing up in Europe between the wars. When her father dies, she swaps life in a run-down German château for an exhilarating existence with her beautiful, talented and unreliable mother on the French Riviera. Sent away to England for schooling, the gypsy-like Billi ricochets between short-lived tutors and a life of reading, friends and public lectures. Returning to the Mediterranean, her unorthodox education - intellectual, emotional and sexual - continues among the vibrant community of artists, exiles and intellectuals who have colonised the coast, coaxing her towards a life of literature.
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Penelope Chetwode's middle-aged companion on her ride over the mule tracks and goat paths of Andalusia in 1961 was a twelve-year-old mare, La Marquesa. This treasured animal, borrowed from the Duke of Wellington's Spanish stables, brought her experience of native travel conditions to the expedition, which was otherwise inspired by the author's reading of those early British Hispanophiles George Borrow and Richard Ford, combined with her interest in the breeding of Spanish horses. Together the travellers brought out the best in their Spanish hosts, whether met on the road, in a crude country inn, a cave-house or during Penelope's frequent attendance in church. The result is a journey described with warmth and wit, lit up by an infectious fascination for horses, God and Spain.
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At the age of nine Janina David led a sheltered life with her prosperous Jewish family in Poland. A year later they were all on the verge of starvation, sharing a small room in the Warsaw ghetto. When it became clear that none of them was likely to survive, the thirteen-year-old girl was smuggled out to live with family friends. When their home became too dangerous, she was sent with false identity papers to a Catholic convent, where she lived in constant fear of being discovered. In this memoir David records the events around her through the eyes of a child, lonely and terrified, yet her determination to survive reads like a testament to the resilience of the human spirit.
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It began with an advertisement in The Times: 'Leaving England June, to explore rivers Central Brazil, if possible ascertain fate Colonel Fawcett; abundance game, big and small; exceptional fishing; room two more guns.' Colonel Fawcett and his son Jack had embarked on a journey in 1925 in search of a supposed lost city in the Amazon and were never seen again. This expedition was too much of a temptation for Peter Fleming, a young journalist with energy and an appetite for adventure. The journey, which begins in areckless spirit of can-do frivolity, slowly darkens into something very personal and deeply testing 'for which Rider Haggard might have written the plot and Conrad designed the scenery.' Fleming recounts it in brilliant prose, leavening the danger with humour and honesty.
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These four interlinked stories encapsulate Martha Gellhorn's firsthand observation of the Great Depression. Fiction crafted with documentary accuracy, they vividly render the gradual spiritual collapse of the simple, homely sufficiency of American life in the face of sudden unemployment, desperate poverty and hopelessness. They catch the mood of a generation 'sucked into indifference' and of young men who no longer 'believe in man or God, let alone private industry'. Martha was the youngest of a squad of sixteen, handpicked reporters who were paid to file accurate, confidential reports on the human stories behind the statisti of the Depression directly to Roosevelt's White House. In these pages, we understand the real cost of sudden destitution on a vast scale. We taste the dust in the mouth, smell the disease and feel the hopelessness and the despair. And here, too, we can hear the earliest cadences of the voice of a writer who went on to become, arguably, the greatest female war reporter of the 20th century.
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Martha Gellhorn's three intertwined novellas are concerned with the integration of European outsiders into the dramatic landscape of East Africa. It makes an electric theme, which alternates between enchantment and rejection. Two sisters, one beautiful, one plain, return unmarried from their adventures in the great world to their parents' hotel On the Mountain, where they are caught up in scandalous relationships. A heartbroken woman tries to escape the memory of her son's death on a doomed holiday By the Sea. A lonely, awkward young Englishman, orphaned by bombs in London, disoriented by years as a prisoner-of-war, seeks a new life In the Highlands.
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In Africa Dances Gorer takes the reader on an odyssey across West Africa. He has unique access, travelling as the friend of Féral Benga, one of the great black dance stars of 1930's Paris. It is a devastating critique of colonial rule, which is shown to be destroying African society while Christian missionaries undermine indigenous morality. Africa Dances captures the rich physical and psychological detail of African village life – from food and architecture to dance and magic. Gorer witnesses witch doctors conjuring thunderstorms out of clear blue skies and chameleon fetishists whose skin changes from a dirty white to almost black. This is a place where if you believe, you can.
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Warriors / Gerald Hanley. - [miejsce nieznane] : Eland Publishing : Legimi, 2012.
Forma i typ
Somalia is one of the world's most desolate, sun-scorched lands, inhabited by fierce and independent-minded tribesmen. It was here that Gerald Hanley spent the Second World War, charged with preventing bloodshed between feuding tribes at a remote outstation. Rations were scarce, pay infrequent and his detachment of native soldiers near-mutinous. In these extreme conditions seven British officers committed suicide, but Hanley describes the period as the 'most valuable time' of his life. With intense curiosity and openmindedness, he explores the effects of loneliness. He comes to understand the Somalis' love of fighting and to admire their contempt for death. 'Of all the races of Africa,' he says, 'there cannot be one better to live among than the most difficult, the proudest, the bravest, the vainest, the most merciless, the friendliest: the Somalis.'
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Until 1912 Morocco had never suffered foreign domination, and its mountainous interior was as closed to foreigners as Tibet. Walter Harris was the exception. He lived in the country for more than thirty-five years, and as The Times correspondant he observed every aspect of its life. He describes the unfettered Sultanate in all its dark, melodramatic splendour. Harris was an intimate of at least three of the ruling Sultans and a man capable of befriending even his kidnapper. Included in this volume is his account of his most audacious expedition. Only three Christians had ever visited the walled city of Sheshouan: one was poisoned, one came for an hour disguised as a rabbi… the other was Walter Harris.
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Mother Land / Dmetri Kakmi. - [miejsce nieznane] : Eland Publishing : Legimi, 2012.
Forma i typ
Mother Land is an autobiographical novel, a minutely remembered description of childhood on an Aegean island, marked by the furious opposition of hostile yet neighbouring cultures. Dmetri Kakmi was born into an age-old Greek community on the now-Turkish island of Bozcaada in the early 1960s. His nine-year-old self tries to make sense of the escalating tension between Greek and Turk, Muslim and Christian, just as he tries to understand the violence between his cosmopolitan mother and his fisherman father. Before the family emigrates to Australia, leaving behind their beautiful, if impoverished, homeland, he reveals with chilling clarity how violence begets violence, in even the most unexpected of people. Returning as an adult to try to make sense of his experience and to make peace with the past, Dmetri Kakmi uncovers a number of family secrets and the final pieces of the jigsaw fall into place.
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At the beginning of the Second World War, Koestler was living in the south of France working on Darkness at Noon. After retreating to Paris he was imprisoned by the French as an undesirable alien even though he had been a respected crusader against fascism. Only luck and his passionate energy allowed him to escape the fate of many of the innocent refugees, who were handed over to the Nazis for torture and often execution. Scum of the Earth is more than the story of Koestler's survival. His shrewd observation of the collapse of French determination to resist during the summer of 1940 is an illustration of what happens when a nation loses its honour and its pride.
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Travelling through Vietnam, Laos and Cambodia in the twilight of the French colonial regime, Norman Lewis witnesses these ancient civilisations as they were before the terrible devastation of the Vietnam War. He creates a portrait of traditional societies struggling to retain their integrity in the embrace of the West. He meets emperors and slaves, brutal plantation owners and sympathetic French officers trapped by the economic imperatives of the colonial experiment. From tribal animists to Viet-Minh guerillas, he witnesses this heart-breaking struggle over and over, leaving a vital portrait of a society on the brink of catastrophic change.
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Despite communist incursions and tribal insurrection, Norman Lewis describes a land of breathtaking natural beauty peopled by the gentle Burmese. This is a country where Buddhist belief spares even the rats, where the Director of Prisons quotes Chaucer and where three-day theatrical shows are staged to celebrate a monk taking orders. Hitching lifts with the army and travelling merchants, Lewis is treated to hospitality wherever he stops in this war-torn land, and reveals a country where 'the condition of the soul replaces that of the stock market as a topic for polite conversation'.
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The Honoured Society describes how the US army returned the Mafia to power in 1944, after Mussolini came close to destroying them. It looks at the Mafia in their homeland - how in attempting to preserve Sicily for the Sicilians in the face of countless invasions it infiltrated every aspect of the island's life, corrupting landowners, the police, the judiciary and even the church. In one chilling chapter Norman Lewis details the escapades of eighty-year-old Padre Camelo, who led his monks on sprees of murder and extortion, frequently using the confessional box for transmitting threats.
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Having learned to appreciate Muslim life while living in Pakistan, Peter Mayne settled down to live in the back streets of Marrakesh in the 1950s. Rather than watch from the shelter of a hotel terrace, he rented rooms, learned the language, made friends, and became embroiled in conspiratorial picni, hashish-laced dinners and in the enchantments and misunderstandings of the street, with its festivals, love affairs, potions and gossip. By turns used, abused and cherished by his neighbours, Mayne wrote their letters for them and captured the essence of their lives in this affectionate and hilarious acount.
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The Narrow Smile is a portrait of the Pathan and their highland home on either side of the Pakistan-Afghan frontier. Peter Mayne grew up in India, and later spent four years on the Northwest Frontier during the Second World War. He delighted in the company of these fierce but hospitable highlanders, who were as hard as the mountains that assured their independence but democratic to the point that no man admitted the right of another to lead him. In 1953, Mayne took a long journey to see what had become of his old friends in the high, flower-filled valleys on the roof of the world. But peace had always been a relative concept on this frontier, where Afghanistan was now eyeing Pashtun lands in a new iteration of the Great Game. Mayne's misadventures are sometimes serious, often very funny, and at all times compassionate.
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Full Tilt / Dervla Murphy. - [miejsce nieznane] : Eland Publishing : Legimi, 2011.
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When Dervla Murphy was ten, she was given a bicycle and an atlas, and within days she was secretly planning a trip to India. At the age of thirty-one, in 1963, she finally set off and this book is based on the daily diary she kept while riding through Persia, Afghanistan and over the Himalayas to Pakistan and India. A lone woman on a bicycle (with a revolver in her trouser pocket) was an almost unknown occurrence and a focus of enormous interest wherever she went. Undaunted by snow in alarming quantities, and using her .25 pistol on starving wolves in Bulgaria and to scare lecherous Kurds in Persia, her resourcefulness and the blind eye she turned to personal danger and extreme discomfort were remarkable.
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The Waiting Land is an exploration of Nepal by a feisty, generous-hearted young Irish woman in the spring of 1965. The third in a series of books tracing Dervla's involvement with the self-sufficient mountain cultures of the Himalayas, she is lured by the chance to work again with Tibetan refugees - this time a group of five hundred lodged in tents in the remote Pokhara valley. Once established in Kathmandu, and later at home in a tiny, vermin-infested room above a stall in a Nepalese bazaar, she falls under the spell of this ancient land, poised between East and West, between China and India, between Buddhism and Hinduism, yet true to its own distinct civilization. Dervla's understanding of the roots of the Nepalese past, and her own stamina, culminate in an epic trek into the remote Langtang region on the border with Tibet.
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After her epic journey from Ireland to India by bicycle in 1963, Dervla Murphy immersed herself in the life of the sub-continent, working for six months in an orphanage for Tibetan children in Northern India. She fell in love with the 'Tiblets' - the cheerful, uncomplaining, independent and affectionate children of the new Tibet-in-exile - but she also managed to explore India's Tibetan frontier, leaving the reader panting in her wake. Alongside her enchantment, Dervla became a perceptive witness to the realities of aid work: the corruption, smug piety and power struggles of the bureaucrats, and the dangerous, long-term side effects on the recipients - cultural enfeeblement and dependency. Tibetan Foothold not only confirmed Dervla's status as a traveller, but also revealed her to be a truly independent voice and an acute observer of politics and society.
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What is it that makes us who we are? In this beautifully written and searingly honest autobiography, the intrepid cyclist and traveller Dervla Murphy remembers her richly unconventional first thirty years. She describes her determined childhood self - strong-willed and beguiled by books from the first - her intermittent formal education and the intense relationship of an only child with her parents, particularly her invalid mother whom she nursed until her death. Here lie the roots of Dervla's gift for friendship, her love of writing, her curiosity, her hatred of cant, her hardiness and her desire to travel. Bicycling fifty miles in a day at the age of eleven, alone, it seems only natural that her first major journey should have been to cycle to India.
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